this post was submitted on 08 May 2026
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Privacy

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[–] yogthos@lemmy.ml -2 points 4 days ago (15 children)

This is not a piece of art, it's a piece of educational material showing people what information websites collect about them. But it's also fascinating how you could enjoy something if you didn't know how it was produced, and then the act of knowing would remove the enjoyment you were deriving from it.

[–] Dirt_Possum@hexbear.net 5 points 4 days ago (8 children)

it's also fascinating how you could enjoy something if you didn't know how it was produced, and then the act of knowing would remove the enjoyment you were deriving from it.

Would you feel differently about, say a book you read and somewhat enjoyed if you later learned it was written by a fascist? It sure would make a difference to me. Have you never consumed any sort of media that you later felt was tainted by who created it, or used a product that you later decided not to use again after learning how it was produced? There's even a colloquialism referring to this very thing, about "knowing how the sausage is made."

[–] yogthos@lemmy.ml 1 points 4 days ago (6 children)

Sure, because it would be tainted by another individual with goals and intentions different from my own. Being upset that something was made using a particular tool is quite different from that. Also, do you get upset looking at a beautiful sunset just because no human designed it intentionally?

[–] boboblaw@hexbear.net 0 points 4 days ago (1 children)

If intelligently designed sunsets were an option, I'd probably like those more. You raise a good point, we might just like all these "natural beauties" because we haven't anything else.

[–] yogthos@lemmy.ml 3 points 4 days ago

Or perhaps the beauty is in the eye of the beholder. We are able to appreciate things that look interesting without them having been designed, and they can trigger emotions and ideas within our own minds that are meaningful to us. Even with human created artifacts, we do not know what the artist was thinking vast majority of the time, or what they were actually trying to convey. We interpret the work using our own thoughts and experience. So, even with the most meticulously human generated art, it is the viewer projecting their own meaning onto it.

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